Posts Tagged ‘Theatre Row

02
May
18

Randy Writes A Novel: My Review

Randy Writes A Novel 1Randy has written a novel and he wants to read it to you. Actually, he needs to read it to you. He’s slaved and labored and sacrificed to get it done and he wants to make sure it’s just right. He wants to know if it qualifies as art. He must know if it measures up to the great authors that have come before him and even the ones that will come after him. His search for artistic perfection is his main driving force. So much so that he’s not even sure that his art exists whether he reads it out loud or not. He even questions if you just knowing he wrote something is enough to mark his work as artistically sublime. He wonders if he really needs to read it to you at all. This drives Randy’s existential dilemma. It’s why Randy continues to distract himself from the task at hand.

Randy is a puppet. A very self-aware puppet in fact. Not only that, he’s a puppet on a hysterically funny journey to discover the meaning of life and all its peculiarities. He wants to know what makes us all tick. Randy is alone for the entire ninety-minute mind trip onstage at Theatre Row’s Clurman Theatre. He’s at his desk, well used  typewriter to his right, continually unread manuscript to his left, and strewn all around the floor are chaotic piles of books and torn and crumpled papers. Randy’s been hard at work and his mind is a buzz with thoughts he must express. All of Randy’s work pays off in a very funny evening of outright truths, blatant lies, broad exaggerations, and accurate observations

An evening with Randy is a combination of stand-up comedy and puppetry. It’s both wildly improvised and intelligently scripted. You’ll find yourself literally howling with laughter. Randy encourages that. He loves his audience to shout back at him, question his observations, and articulate their own opinions. The whole evening becomes a riotous amalgamation of master puppet and willing audience. You’ll find yourself laughing through riffs on Harper Lee’s other book, a three-and-a-half-minute condensed version on the life of Ernest Hemingway that blossoms into a remarkably funny yet astute conversation on the value of art versus character. You’ll also find social commentary being delivered on subjects like Veganism versus Carnism and there’s a Craig’s List story that will have you doubled over with an ending you will never forget. All this and more while Randy struggles and keeps stalling the reading of his presumably epic creation.

Randy’s own puppet master is a mystery. Whoever it is doesn’t want you to know because it doesn’t matter. Randy is Randy. He’s his own man with his own thoughts. Randy has been lauded and acclaimed. He’s travelled the world presenting and perfecting himself before many an adoring crowd. Before arriving in New York, he toured the country in order to understand his American fans better. The puppet has done his homework. Randy himself will tell you that what he’s presenting on stage is an anthropological social experiment and one helluva good time. As always Randy, a philosopher in fabric and flock, is more than right.

Clurman Theatre
Theatre Row
410 W 42nd St
New York, NY 10036
212.239.6200
http://randywritesanovel.com/
$81.25
April 18 – June 9, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

17
Apr
18

The Amazing Kreskin Live: My Review

KreskinThe Amazing Kreskin is a mentalist of the highest order and has been for the past fifty years. By his own count he has had a television series, his own board game by Milton Bradley, twenty published books, and a major motion picture inspired by his work.

Kreskin is also a well-known prognosticator. He has predicted presidential elections far in advance, including Trump’s win, as well as sporting events, and great moments in history. His skills of manipulation with a deck of cards have gotten him banned from gambling anywhere in Las Vegas. He’s traveled the globe and met with airline pilots who marvel that his three million plus travel miles far exceed their own flight miles. He’s appeared on The Tonight Show over eighty times and was the inspiration for one of Carson’s most famous creations Carnac the Magnificent. Don’t be confused though because while he does claim some natural intuitive abilities that he says have been with him all his life, he also admits there are some tricks at work here as well, but he is no magician. What the Amazing Kreskin truly has been is a significant part of pop culture history throughout the world.

At the Lion Theatre on Theatre Row Kreskin is back at work in a production that is a combination of his greatest hits and a career retrospective. It’s just the man himself solo onstage, a few folding metal chairs, some books and needed props, and a tall three-fold screen for the mentalist, and some of his volunteers, to isolate themselves from energy that may interfere with the work to be done. It is in this setting that he performs his mental feats and in between his miracles he regales the audience with stories from his illustrious career.

A book is passed to an audience member, a word is randomly chosen, Kreskin adeptly reveals the word with ease and without any prompting. A story is told about the legendry Steve Allen and about Kreskin’s first appearance on TV. He was so in awe of Allen and overwhelmed by the studio lights that he tripped and fell flat on his face before a live audience.

Kreskin, having picked an audience member in the lobby before the show, has them pick a random card from a new deck, then brings that individual on stage along with another to randomly cut a separate deck to discover the selected card at the exact place he predicted it would be. A story is told of spending time in Johnny Carson’s dressing room during The Tonight Show days. Johnny loved his ability to locate cards at will in the deck and that misstep on the Allen show served as the impetus for Carnac’s always clumsy entrance.

Kreskin incorrectly guesses at the exact change in a woman’s pocket but is instantly redeemed by a note he handed to a man earlier in the proceedings that provides the actual correct amount and then another story is told. This is the pattern and the crux of the evening. At eighty-three The Amazing Kreskin is an old school performer and a class act. His very presence on the stage recalls his history and exemplifies his longevity. The stories he tells delights the audience members that are old enough to remember them. The mental acrobatics he so nimbly performs astonish the younger crowd who have no idea who this charming and dapper man continues to be. One of his volunteers, Kreskin never picks people from the audience he only asks for those who want to participate to step forward, was an adolescent and she clearly seemed stunned and delighted by his abilities. An older gentleman in the crowd whispered to his seat mate more than once that ‘Kreskin really is amazing” and they agreed.

It doesn’t matter what your opinion may be of his abilities and where they come from, it doesn’t matter if you know the historical figures in the stories, you may groan at the corny jokes, or giggle at his repeated requests for his volunteer’s names and when he drops the occasional prop. Make no mistake though Kreskin has been at this for a lifetime and every move he makes serves his well-traveled and very skilled performance, and at the end of the evening you will turn to someone or think to yourself, you know what, he really is amazing.

The Lion Theatre
Theatre Row
410 West 42nd Street
212.239.6200
$37.25 – $52.25
http://www.theatrerow.org/lion
April 12 – 28, 2018

 

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

12
Feb
18

The Chekhov Dreams: My Review

Chekhov Dreams 3Sometimes in the world of theatre you run into the seemingly perfect show. Everything appears to be just as it should be. The actors are talented and in some cases truly gifted. The script is appropriately funny, or tragic, or both whichever the case may be. The design facets are successfully executed and presented. The direction is in line with the text and equally in sync with the production. The audience is responding right on cue as expected. Yet in spite of all that there’s something just not right overall. As smooth as everything seems, as hard as everyone is working to nail it, there’s a nagging feeling that there’s something rotten in the state of Minsk. The Chekhov Dreams, currently playing at Theatre Row’s Beckett Theatre, is one such show.

Jeremy is an independently wealthy struggling wanna be author. One evening over lots of wine, and a mutual game of guess the quote by which famous literary figure, Jeremy and his recently ex-girlfriend Kate form a blood oath to reach out and remain together in this life and the afterlife. This of course immediately leads to her death in a car accident. Three years later the still rich and now lost Jeremy is struggling to finish his first book. His opus is loosely based on Hans Christian Anderson’s The Snow Queen which was a favorite story of his since childhood. In the midst of the struggle he begins having regular dreams where Kate comes to visit. She taunts, and teases, and seduces him. Her temptations are too great, and his fear of failure is too overwhelming, so Jeremy makes another pact to kill himself and marry his now dead fiancée. This decision is no easy task to complete as his life proceeds to get more complicated.

Jeremy’s narcissistic hedonist of a brother Eddie keeps trying to cure his doldrums to no avail. Jeremy also wants to finish his book before he departs so he takes an acting class to help him release his creative juices. It’s there that he meets his acting scene partner Chrissy. She comes with her own imposing wants and needs including a love of Jeremy’s least favorite author Anton Chekhov. Of course, the scene their working on is from Chekhov’s The Seagull. It’s not long before the dead fiancée becomes jealous and impatient. She not only keeps up her dream visits she also begins appearing in Jeremy’s apartment while he’s awake causing him much distress and added mayhem. On top of all that Chekhov also begins taking on a featured role in his dreams as mentor, advisor, author, and dramaturge.

Chekhov Dreams 2Dana Watkins as Jeremy has the makings of a good leading man. He pulls off the awkward, dazed and confused romantic, along with the tortured lover and author to be. Elizabeth Inghram as the deceased Kate does very well as mortal girlfriend, seductive spirit, and eventually manipulative evil queen. As Chrissy, the ingenue and Chekhov scene partner, Charlotte Stoiber embodies a hopeful somewhat naive actress in search of true meaning in her work and in matters of the heart.

Christian Ryan as Jeremy’s flawed, heavy drinking, chain smoking lothario of a brother is in fine comic form. His scenes bring a laugh filled breath of fresh air into each scene he appears in. Rik Walter as the legendary director and writer Anton Chekhov is every bit the stately, stern, and imposing dark genius one might expect but he brings with it a sassy comedic edge that is fun to watch.

As already mentioned the cast is a talented lot. While each player plays their part the problem with the ensemble is one of what appears to be nervous energy. No one seems to be able to be still. There’s constant unnecessary movement and in some cases unconscious mirroring of each other’s actions. There’s also that unwavering feeling of trying too hard to please. It’s not always the case. When they connect with themselves, the erratic material, and the house, the ensemble plays very well together but for the most part this is all a hit or miss affair.

In support of the production the design team set themselves some very ambitious goals and for the most part they achieve them. Costume designer Christina Giannini is well represented. Along with the needed every day wear of the characters that inhabit this world she’s able to shine with beautiful period costumes that make the dreams they have so vivid. Lighting designer Diana Duecker and sound designer John McKinney more than ably deliver on setting the mood and the tone for both the real and the surreal proceedings. Scenic designer Scott Aronow had the larger challenge of having to wrangle many settings into one multi-dimensional set. His solution and execution does work nicely even though it was a bit wobbly at times. An extra support here, an additional nail there, and this minor quibble is eliminated.

Chekhov Dreams 1All is not lost because there’s a gem of a show to be mined her but the excavation would have to go deep. Writer John McKinney and director Leslie Kincaid Burby could and should go back to the drawing boards on this one and uncover all that this script truly has to offer. There are warnings already built into this current version. In his dreamy appearances Chekhov warns of not using too many devices to advance the plot and yet he himself becomes one. He also warns that not everything is to be explained and yet that happens often in this production. Particularly in the fact that the play goes one scene too long for the sake of trying to wrap everything up with a neat bow. In fact, the entire show runs a bit too long. If the next incarnation were trimmed down to a tight intermissonless ninety minutes, as opposed to the overstuffed feeling of the current with an intermission two hour plus version, the entire company might find themselves with a dream worth having again.

Theatre Row
Beckett Theatre
410 West 42nd Street
www.chekhovdreams.com
(212) 239-6200
$44.25

Now Playing Through Feb 17, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

27
Oct
17

Squeamish: My Review

Photo Oct 17, 12 36 10 PM

Alison Fraser in Squeamish (Photo by Maria Baranova)

Sharon is a basket case. She’s a New York City, Upper West Side psychoanalyst in need of her own New York City, Upper West Side psychiatrist. She’s off her meds. Has been for a while. She’s a recovering alcoholic. Desperately in need of a drink. Sharon’s barely keeping it together but she’s still capable of understanding her needs. She needs to see her shrink. Badly. Even though she hasn’t kept up with her visits she shows up at Dr. Schneider’s apartment in the dead of night. Once inside she takes a seat.

It’s there that we first find her. It’s there that she will remain. For the next ninety intermission-less moments we will be transfixed by her story. She will gloriously regale us, and the good doctor, with her recent adventures in the flat landscape of Lubbock, Texas. She will tell us about her nephew’s sudden death and the funeral that brought her to that hot and humid place. She’ll go on about her encounters with the locals. Her growing paranoia. Her expanding psychosis. Her continuing nightmares. Most importantly she will tell us of her hemophobia. Her fear of blood. The results of her relationship with the warm red fluid that keeps us all alive will drive the tale and keep you fixed and focused on Sharon’s every word.

Sharon has been falling asleep on her own patients as of late. Nightmares of her mother’s past suicide have been keeping her awake. She’s now at the same age when her mother did herself in. She’s also having nightmares about her cousin Eddie’s recent suicide. If it was indeed a suicide. Her trip is a journey to find the truth. Once in Texas the mystery thickens as Sharon meets Cara who has a thing for razor sharp knives and the taste of blood. Despite being squeamish about life’s vital juice for as long as she can remember, except for that one time she tasted her own and found it oddly satisfying and sexually gratifying, Sharon finds herself going along on Cara’s sanguinarian adventures. All this death and blood, and lack of booze and pills, and the smell of peppermint that permeates her cheap motel room leaves Sharon’s mind in a state of frenzied confusion. All of this leads to some very dark morbid choices on her part and therein lies the bloody rub.

A good horror story is one that draws you in closer and closer until the trap that’s been set begins to close in around you. The trappings of Squeamish are sublime. Every aspect of the All For One Theater production at the Beckett Theatre on Theatre Row are exquisite in their execution.

It is pitch black in the house when the show begins. In fact, before Squeamish even starts the usual warnings of cell phone activity is heightened by the additional caution that any light, even the light from your watch, will appear three-fold brighter should it suddenly reveals itself. Darkness is this productions friend. Everything in this world is black. The walls, the simple furnishings, the frame representing a large window overlooking the city, even Sharon is dressed entirely in black. Lighting designer Sarah Johnston, and her associate designer Sophie Talmadge Silleck, manage to use all this negative dark space to heighten the low-level lighting that they concentrate tightly on Sharon, her cup, table, and chair. There’s subtlety in design is at work here in an extremely elegant fashion.

A one-person show is primarily a dance between actor and author. A symbiosis of two storytellers at work. Here, once again, the production is in excellent hands. Playwright Aaron Mark has crafted a frightening journey that travels along a very tight wire. He balances humor and pathos with finesse. His characters are woven well and feel very real. Squeamish is his third psychological thriller and it is indeed charmed. Mark also takes the helm here as director and the benefits of his deceptively light touch are palpable. The highest compliment that can be paid to a director is that a good director is one that is never caught directing. Mark lets the words speak for themselves and he cast the perfect actress to deliver them.

Alison Fraser in Squeamish (Photo by Maria Baranova)

Alison Fraser in Squeamish (Photo by Maria Baranova)

Alison Fraser as Sharon is a wonder to behold. Along with playing Sharon she will also inhabit six other characters, both male and female. There are no doubts that the technical skills of a two time Tony Award nominee are at work here in a masterful performance. Those skills are wrapped up in an artistic tour deforce that makes you fall for the sanguine, neurotic, twisted little soul she brings to life. There’s a smoky, syrupy, sultry texture to Fraser’s voice that is intoxicating. Her delivery of Sharon’s staccato thoughts is flawless and instrumental to that all-important draw that sucks you into her story. Squeamish does indeed have a twist but Alison Fraser herself is the seductive trap.

Sharon spends the waning night in Dr. Schneider’s apartment. Time flies here and there is a profound sense of disappointment as the sun begins to rise on Sharon’s tale and the realization occurs that things are coming to an end. There’s a great deal to be said when you long to spend more time in the company of a charming yet deadly villain.

The Beckett Theatre – Theatre Row
410 West 42nd St
New York, NY 10036
$52.25
www.theatrerow.org
212-239-6200
Oct 6 – Nov 11, 2017

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.




Edward Medina Author

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