Posts Tagged ‘New York City

14
Mar
18

Wicked Clone: My Review

Wicked Clone 1Take equal doses of Transylvanian folklore, Goethe, Faust, Ibsen, Dante, booming Werner Herzog like voice overs, stock footage movie moments projected on a supposed magic mirror, club dance moves, electronic beats, roller blades, circus arts, daddy dom issues, notions of sin and redemption, and overt sexuality. Now toss it all in a blender, hit frappe again and again, and once properly mixed, hurl the resulting concoction all over a black box stage. This will give you an approximation of the gloriously spectacular, misguided avant-garde, multimedia, passion project being served up at the Davenport Theatre.

Let us begin at the beginning of this torrid tale. Wicked Clone is the story of two identical twin sisters born in Transylvania in 1483 to Vlad the Impaler himself. Mihaela and Gabriela are opposite acorns not falling far from the same blood-thirsty tree. Mihaela is the somewhat good girl who questions her existence and is always in search of love. Gabriela is the totally bad girl that always seeks vengeance and is constantly jealous of her sister’s ambitions. Both being undead daddy’s girls they can’t help but do battle with each other.

Mihaela flees from Transylvania to 2018 New York and pulls her fangs out in order to find love and become a human. She then writes a book and mounts a Broadway show based on her life and writings. Twin sister Gabriela also follows Mihaela through space and time to return her sister to her vampiric roots and back under now actually dead daddy’s demonic control. Mihaela falls in love with a human poet who, in the midst of being killed by Gabriela, manages to bite Mihaela which turns her human. That doesn’t stick though, since no plot point lingers in this story, so her fangs start to grow back and soon enough both sisters are at each other’s throats again. If this all sounds like a confused and convoluted mess it’s because that’s exactly what this is.

Wicked Clone 2Wicked Clone is performed, choreographed, scored, designed, and teched by Transylvanian born American artists Mihaela and Gabriela Modorcea. Mihaela wrote the novel, Wicked Clone or How to Deal with the Evil on which her script for the show is based. Both sisters traveled to America and ended up creating Wicked Clone as a production to showcase their many skills and find fame and fortune on the Great White Way. If this all sounds familiar that’s because it is indeed all too familiar. In an extreme case of life imitating art, these multi-talented identical twin sisters have birthed what they call a cinema musical, which they believe is a new genre that projects the audience into an immersive blend of theater and film projection.

According to the program Wicked Clone was directed by God. If true the Creator has much to answer for as far as his, or her, theatrical choices are concerned. The music is the stuff of dance floor fodder, but as a musical there’s not a hummable memorable tune in the entire lot of nineteen original pop-gypsy compositions imbedded in the drama. The sisters Modorcea are not without talent. They can sing. They can dance. They can write pop happy electronic dance music. They also managed to mount what is an ambitious production. Their faith in themselves to create something artistically grand is heroic and an argument can be made here for experimental theatre reminiscent of the Warhol crowd. The shear audaciousness of the thing makes one want the sisters Modorcea to succeed at their attempt to create dark cinema theatre magic, but there are a mountain of obstacles rising against them and many are self-perpetuated.

Davenport Theatre
354 West 45th St
New York, NY 10039
www.wickedclone.com
212.956.0948
$69
March 8 – May 27, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

19
Nov
17

Don’t Feed The Indians: My Review

Don_t Feed The Indians 1In order to gain entry to the Safe Harbors Indigenous Collective’s production of Don’t Feed The Indians: A Divine Comedy Pageant at the legendary La MaMa’s Downstairs Theatre you must first pass through a sideshow. Your guide through this living tableau of indigenous fallacies and misrepresentations is a tall well-dressed ponytailed huckster in braids and sunglasses. You’re given gold chocolate coins to toss in the baskets of the presented freaks in order to feed the Indians an enticement to perform for you. There’s the half-naked, half breed singing warrior brave, the firewater drinking alcoholic homeless veteran of many wars, and of course the cigar smoking tobacco selling old woman indecipherably chanting away, all there for your enjoyment before you take your seat in the theater for the main event.

The carnival atmosphere, beautifully created by set designer Ann Mirjam Vaikla, lighting designer Cecilia Durbin, and costume designer Sheldon Raymore, continues on inside. What follows is an absurdist collection of songs, skits, and parables about expected racial archetypes and the insufferable lengths to which Native American actors must go through to fit into those molds or find themselves without professional employment. Loosely based on Dante’s Divine Comedy, the story presents the onstage performances and backstage dramas of a Native American family of performers trying to satisfy an audience starving for those stereotypes while dealing with the personal costs of living up to the lies imposed upon them to match the forced expectations of the Eurocentric crowd. This is a twisted variety show with the punch of an in-your-face moral message that’s meant to amuse, but make one squirm in the process.

Don_t Feed The Indians 2There are bits exposing the racism of supposedly tried and true entertainments like Disney’s Peter Pan and the musical Annie Get Your Gun. Indian Casino shows are also on display here with an emcee from hell and the comedic stylings of a beaded borscht belt husband and wife team that present the irony of double edged self-deprecating humor. Television is properly skewered as well with a very funny use of Keeping Up With The Kardashians to exemplify the cost that individuals pay when living a lie. These are all set against real and touching revelations of autobiographical sacrifices made in the act of attempting against all odds to live an artist’s life including depression, family conflict, forced rape, and the loss of leaders and elders as the fight for equality and acceptance rolls ceaselessly on.

Don’t Feed the Indians was conceived, written, and directed by Murielle Borst-Tarrant (Kuna/Rappahannock Nations), with musical direction by Kevin Tarrant (Hopi/Ho-Chunk Nations) both of whom serve double duty in the cast as well turning in some of the funniest and touching work of the show. The balance of this talented all Native American ensemble includes Nicholson Billey (Delaware/Choctaw Nations), John Scott-Richardson (Haliwa-Saponi Tribe), Danielle Soames (Mohawk/Kahnawake Nations), Henu Josephine Tarrant (Hopi/Ho-Chunk/Kuna/Rappahannock Nations), Joe Cross (Caddo/Nation of Oklahoma), Tony Enos (Cherokee Nation), George Stonefish (Delaware Chippewa/First Nation) and Gloria Miguel (Kuna/Rappahannock Nations). Each of these actors delivers performances ranging from spiritual ritual, broad slapstick, and heart wrenching sadness with utmost skill and grace.

Don_t Feed The Indians 3This is a production whose heart is in the right place and whose cause is righteous. The overriding message is everything here and that’s not only laudable but also commendable. That being said this is also a production whose heart and cause cries out for some focus in the telling. The script is in need of editing and the production overall is in need of tighter direction. The old adage of less is more is apt here. Many of the target points are being missed in the scattershot delivery of scene, after scene, after scene with the encroaching feeling of repetitiveness around every corner. A sharper focused beam would shed even more light on these all important issues and would greater serve to correct the injustices being presented. One would hope that the production and artistic teams of Don’t Feed The Indians will return to the stage after having polished this diamond in the rough once more.

La MaMa
Downstairs Theatre
66 East 4th St
New York, NY 1003
http://lamama.org/
212.352.3101
$25 Adult Tickets; $20 Students/Seniors + $1 Facility Fee
Nov 2 – Nov 19, 2017
From an original post on TheaterScene.

Photo credits Maya Bitan.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

14
Nov
17

Big Apple Circus: My Review

Big Apple Circus 1 - Photo credit Juliana Crawford

Hidden away in the corner of Lincoln Center Plaza’s Damrosch Park is a grand tent. It sits on the stage right side of the Metropolitan Opera House. Covered in gold stars on its surface, and filled with genuine stars within, the large blue big top is surrounded by a caravan of black wagons emblazoned with gold lettering proclaiming the return of the Big Apple Circus to its metropolitan home.

Not too many cities in the world are able to boast of having a circus named after them but New York City can proudly make that claim. That honor was almost lost a season or so ago. The Big Apple Circus was in debt, insolvent, and declared bankrupt. The Grand Tour, it’s last named production, was to be its final appearance. After some clever moves, including changing from a non-profit status to a for profit status, and along with some bold investors who saw the value in saving this rather unique icon, the circus was reborn. Under new ownership, with stunning new and returning headliners this cultural gem has made a triumphant return to New York City just in time for its 40th anniversary season.

Famous for its European-style one-ring presentation, where no seat is more than fifty feet from the performers, this intimate setting puts the performers almost within reach and makes their breathtaking feats all the more dramatic. Under the leadership of new Ringmaster Tyron “Ty” McFarlan the circus is in laudable hands. Formally of the now sadly defunct Ringling Brothers Barnum and Bailey Circus host McFarlan brings with him the commanding presence of a three ring circus master tempered with a charming one ring sensibility that guides audience and performers through a marvel of a show.

Big Apple Circus 2 - Photo credit Juliana Crawford

This is a tight, fast paced, extravaganza of great talent that includes the married dynamic duo of Dandino & Luciana, who combine speed, acrobatics and daredevil grace on roller skates. There’s the award-winning contortionist Elayne Kramer, master juggler Gamal Garcia, the balancing skills of Jan Damm on the tricky Rola Bola board, and the acclaimed acrobatics of The Anastasini Brothers. Circus trainer and presenter Jenny Vidbel, performs beautifully in the ring with sixteen hoses and ponies, and some very lucky rescue dogs. For over ten years Big Apple Circus has maintained a vital no wild or exotic animals policy. The talented animals that appear with her are all a part of this third generation animal trainer’s own family.

Circus royalty is featured here as well with record-breaking legends Nik Wallenda and The Fabulous Wallendas wowing the crowd with their famous seven-person pyramid on the high wire and The Flying Tunizianis executing their daring quadruple somersault on the trapeze. This is the first time in circus history that both legendary feats are being performed in the same show. Joining these daring acts are the comedy hijinks of Grandma the Clown. This marks the return of the Big Apple Circus icon and Barry Lubin the man that brings her to life. Lubin is a member of the International Clown Hall of Fame and the first professional clown to perform on all seven continents. This is Grandma’s twenty fifth season and this time she’s paired with sidekick, Joel Jeske. The well teamed pair are a joy to watch and fill the tent with sheer comedic bliss.

Big Apple Circus 3 - Photo credit Juliana Crawford

The production team assembled for this 40th Anniversary season is another stellar compilation. Director Mark Lonergan, is a three-time Drama Desk Award nominee and his skills serve this production well. Choreographer and associate director Antoinette DiPietropolo keeps the action moving at a quick pace. Giving everything a grander than usual look is Tony Award winning Lighting Designer Jeff Croiter and Scenic Designers Rob Bissinger and Anita LaScala. Drama Desk Award nominated Costume Designer Amy Clark delivers the fun of sparkle and spandex. Special mentions must also go to Crew Chief Matthew “Toystore” Zimmerman and the ever present Ring Crew, along with Music Director Rob Slowik, Conductor Rob Slowik and the Band.

It should also be noted that Big Apple Circus will continue its four decade commitment to audience and community outreach programs. Circus of the Senses offers special enhanced experiences for guests with autism, visual, and auditory challenges. The special performances include ASL interpretation, assistive listening devices with live audio commentary, before and after show touch therapy experiences, and a Braille program book. Sensory-friendly performances for Autistic audience members will feature lower light and sound levels, a descriptive picture book showing the different areas and acts involved with the circus, and a “calming center” that can be accessed at any point during the show. Also, as part of the Circus for All initiative, eleven performances throughout the ten-week run will offer $10 tickets for every seat in the house to underprivileged children and underserved schools.

Big Apple Circus 4 - Photo credit Juliana Crawford

Though updated and freshly polished the Big Apple Circus is still, at its core, entertainment at its finest. The finale brings the full complement of performers center stage and as they enter the ring en masse one is reminded that this circus is a multi-generational institution. One that generations of guest families have returned year after year to enjoy as well. On both sides of the ring circus life is family life. Everyone responsible for the 40th Anniversary Edition of the Big Apple Circus should feel proud of not only rising from the ashes but for soaring like a phoenix as well. New Yorkers should also attend filled with pride that their circus is home again and in truly fine form.

Lincoln Center
3 Lincoln Center Plaza
New York, NY 10023
bigapplecircus.com
$37.50 – $129
212.257.2330
Through Jan 7, 2018
From an original post on TheaterScene.
All photos credited to Juliana Crawford.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

27
Oct
17

Squeamish: My Review

Photo Oct 17, 12 36 10 PM

Alison Fraser in Squeamish (Photo by Maria Baranova)

Sharon is a basket case. She’s a New York City, Upper West Side psychoanalyst in need of her own New York City, Upper West Side psychiatrist. She’s off her meds. Has been for a while. She’s a recovering alcoholic. Desperately in need of a drink. Sharon’s barely keeping it together but she’s still capable of understanding her needs. She needs to see her shrink. Badly. Even though she hasn’t kept up with her visits she shows up at Dr. Schneider’s apartment in the dead of night. Once inside she takes a seat.

It’s there that we first find her. It’s there that she will remain. For the next ninety intermission-less moments we will be transfixed by her story. She will gloriously regale us, and the good doctor, with her recent adventures in the flat landscape of Lubbock, Texas. She will tell us about her nephew’s sudden death and the funeral that brought her to that hot and humid place. She’ll go on about her encounters with the locals. Her growing paranoia. Her expanding psychosis. Her continuing nightmares. Most importantly she will tell us of her hemophobia. Her fear of blood. The results of her relationship with the warm red fluid that keeps us all alive will drive the tale and keep you fixed and focused on Sharon’s every word.

Sharon has been falling asleep on her own patients as of late. Nightmares of her mother’s past suicide have been keeping her awake. She’s now at the same age when her mother did herself in. She’s also having nightmares about her cousin Eddie’s recent suicide. If it was indeed a suicide. Her trip is a journey to find the truth. Once in Texas the mystery thickens as Sharon meets Cara who has a thing for razor sharp knives and the taste of blood. Despite being squeamish about life’s vital juice for as long as she can remember, except for that one time she tasted her own and found it oddly satisfying and sexually gratifying, Sharon finds herself going along on Cara’s sanguinarian adventures. All this death and blood, and lack of booze and pills, and the smell of peppermint that permeates her cheap motel room leaves Sharon’s mind in a state of frenzied confusion. All of this leads to some very dark morbid choices on her part and therein lies the bloody rub.

A good horror story is one that draws you in closer and closer until the trap that’s been set begins to close in around you. The trappings of Squeamish are sublime. Every aspect of the All For One Theater production at the Beckett Theatre on Theatre Row are exquisite in their execution.

It is pitch black in the house when the show begins. In fact, before Squeamish even starts the usual warnings of cell phone activity is heightened by the additional caution that any light, even the light from your watch, will appear three-fold brighter should it suddenly reveals itself. Darkness is this productions friend. Everything in this world is black. The walls, the simple furnishings, the frame representing a large window overlooking the city, even Sharon is dressed entirely in black. Lighting designer Sarah Johnston, and her associate designer Sophie Talmadge Silleck, manage to use all this negative dark space to heighten the low-level lighting that they concentrate tightly on Sharon, her cup, table, and chair. There’s subtlety in design is at work here in an extremely elegant fashion.

A one-person show is primarily a dance between actor and author. A symbiosis of two storytellers at work. Here, once again, the production is in excellent hands. Playwright Aaron Mark has crafted a frightening journey that travels along a very tight wire. He balances humor and pathos with finesse. His characters are woven well and feel very real. Squeamish is his third psychological thriller and it is indeed charmed. Mark also takes the helm here as director and the benefits of his deceptively light touch are palpable. The highest compliment that can be paid to a director is that a good director is one that is never caught directing. Mark lets the words speak for themselves and he cast the perfect actress to deliver them.

Alison Fraser in Squeamish (Photo by Maria Baranova)

Alison Fraser in Squeamish (Photo by Maria Baranova)

Alison Fraser as Sharon is a wonder to behold. Along with playing Sharon she will also inhabit six other characters, both male and female. There are no doubts that the technical skills of a two time Tony Award nominee are at work here in a masterful performance. Those skills are wrapped up in an artistic tour deforce that makes you fall for the sanguine, neurotic, twisted little soul she brings to life. There’s a smoky, syrupy, sultry texture to Fraser’s voice that is intoxicating. Her delivery of Sharon’s staccato thoughts is flawless and instrumental to that all-important draw that sucks you into her story. Squeamish does indeed have a twist but Alison Fraser herself is the seductive trap.

Sharon spends the waning night in Dr. Schneider’s apartment. Time flies here and there is a profound sense of disappointment as the sun begins to rise on Sharon’s tale and the realization occurs that things are coming to an end. There’s a great deal to be said when you long to spend more time in the company of a charming yet deadly villain.

The Beckett Theatre – Theatre Row
410 West 42nd St
New York, NY 10036
$52.25
www.theatrerow.org
212-239-6200
Oct 6 – Nov 11, 2017

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

12
Jun
13

Awilda


Awilda Lips

Awilda made an observation last night that made her laugh out loud on the subway. Chicken in a can shouldn’t come in liquid. It’s just wrong. We accept it with tuna. Fish are meant to be in liquid. Chickens are air breathers. Awilda often had thoughts like that. Quick random shots through the dark that made her laugh out loud, or cry quite a lot. She liked to laugh. She didn’t like the crying at all. The laughing helped her forget the dark things. The crying reminded her that the laughing was a lie.

Awilda killed her first vampire when she was six years old. He was a child just like she was. He attacked her and she stabbed him in the heart. Just like that. Nice and easy. She was young, but she knew exactly what he was. She had seen the movies. She knew Bela Lugosi when she saw him. So Awilda killed him and buried his body in the abandoned building where it happened.

There were questions. There were police and an investigation. The boy was a friend, of a friend, of a friend, so no one really talked to her about the incident. They couldn’t find him for a long time and then the questions stopped. They never found the body. Just a few years ago the building was demolished. They built a church on that spot. Awilda laughed a lot when she heard they had done that.

Awilda was a demure young lady of twenty-six now, with an indefatigable mind in a myriad of places. She was very pretty. Not too thin. Not too heavy. She was a bit on the tall side with lots of leg. Her flesh was creamy white with light pink tones. The vampires loved her for all those lovely attributes. They were all foolishly drawn to her because of them. Awilda was her own secret weapon.

She loved her full breasts. She loved the weight of them in her hands. She was also quite fond of her derriere. It was round and plump. Whenever she couldn’t sleep she would lay on her side, close her eyes, and slowly breathe three deep breaths while she caressed all her curves. The sensation would always lull her into dreamtime. Awilda loved her body. She started to develop her shapely presence when she turned thirteen. That’s when she killed her second vampire.

He toyed with her mind. He put his hands on her. Awilda could feel his nails trying to cut into her. She could feel his teeth on her neck. She punched him where it counted, and while he writhed in pain she reached into her backpack for what she needed and staked him. Awilda had learned to carry a knife and a stake with her at all times.

She was so angry that it had happened again, that she cut his head off and burned his body. Just like she read in the books. She wanted to make sure he wouldn’t come back again. There was another investigation and a lot more questions. She had just met him. She really didn’t know him. She stupidly never suspected him. No one came looking for her when they found his charred remains downtown in the East Village.

Awilda started riding the trains into the city when she was ten. She came from a big family and she got ignored quite a lot. At first Awilda thought it was her fault. Perhaps there was something wrong with her. Perhaps she wasn’t worthy of their love and attention, or any special consideration. She felt isolated, but there was no true solitude. Awilda had things on her mind. Awilda was going to get out of that home as soon as she could.

She came to see the MetroCard as an escape key. The minute she hit the city she could feel the vampire energy. She could see their eyes on her. Awilda could hear their minds calling to her. There were lots of them. She didn’t want to stop going into Manhattan. She truly loved the colors, the smells, and the sounds of the city. So she learned to take precautions and carry more protection. Awilda also decided she needed to start making plans in order to curtail this infestation.

Awilda2

Awilda’s story was originally intended for an anthology submission, but Amazon bestselling author Edward Medina fell in love with her, and decided to keep Awilda all to himself.

Now it’s time for him to share her with you.

The story of Awilda is an urban paranormal trip through the mind of a dedicated hunter. A hunter specifically designed to kill a very particular form of vampire. Believing it to be her mission since birth, Awilda puts a meticulously planned set of events in motion in order to eradicate the world of this infestation. Good girl by day, holy terror by night, Awilda is not the type of woman you’ll soon forget.

“Rarely has a character so quickly mesmerized me as the elusive, sensual, bibliophile Awilda. She is both protagonist and antagonist, lovable and tragic. The author counters humorous quips with startling violence. There is an effortless lyrical rhythm to his story that practically sings off the page.” – Amazon Reader

“Awilda is innocence lost, a conflicted mind, plotting and cold, psychologically damaged, librarian by day and femme fatale by night. if you enjoy short stories, the paranormal, vampires, and insight into the contrasting dark world of a calculating, yet seductive killer, then Awilda is worthy of your reading list.” – Glenn Starkey author of Amazon Moon

Awilda debuted in the top five on the Amazon bestseller list for Short Stories Horror and has earned 20 Amazon and Goodreads ★★★★★ reviews from readers, reviewers, authors, and bloggers.

Awilda is available on Amazon.

Alice Author Pic

Edward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.




Edward Medina Author

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