Archive for May, 2018

02
May
18

Randy Writes A Novel: My Review

Randy Writes A Novel 1Randy has written a novel and he wants to read it to you. Actually, he needs to read it to you. He’s slaved and labored and sacrificed to get it done and he wants to make sure it’s just right. He wants to know if it qualifies as art. He must know if it measures up to the great authors that have come before him and even the ones that will come after him. His search for artistic perfection is his main driving force. So much so that he’s not even sure that his art exists whether he reads it out loud or not. He even questions if you just knowing he wrote something is enough to mark his work as artistically sublime. He wonders if he really needs to read it to you at all. This drives Randy’s existential dilemma. It’s why Randy continues to distract himself from the task at hand.

Randy is a puppet. A very self-aware puppet in fact. Not only that, he’s a puppet on a hysterically funny journey to discover the meaning of life and all its peculiarities. He wants to know what makes us all tick. Randy is alone for the entire ninety-minute mind trip onstage at Theatre Row’s Clurman Theatre. He’s at his desk, well used  typewriter to his right, continually unread manuscript to his left, and strewn all around the floor are chaotic piles of books and torn and crumpled papers. Randy’s been hard at work and his mind is a buzz with thoughts he must express. All of Randy’s work pays off in a very funny evening of outright truths, blatant lies, broad exaggerations, and accurate observations

An evening with Randy is a combination of stand-up comedy and puppetry. It’s both wildly improvised and intelligently scripted. You’ll find yourself literally howling with laughter. Randy encourages that. He loves his audience to shout back at him, question his observations, and articulate their own opinions. The whole evening becomes a riotous amalgamation of master puppet and willing audience. You’ll find yourself laughing through riffs on Harper Lee’s other book, a three-and-a-half-minute condensed version on the life of Ernest Hemingway that blossoms into a remarkably funny yet astute conversation on the value of art versus character. You’ll also find social commentary being delivered on subjects like Veganism versus Carnism and there’s a Craig’s List story that will have you doubled over with an ending you will never forget. All this and more while Randy struggles and keeps stalling the reading of his presumably epic creation.

Randy’s own puppet master is a mystery. Whoever it is doesn’t want you to know because it doesn’t matter. Randy is Randy. He’s his own man with his own thoughts. Randy has been lauded and acclaimed. He’s travelled the world presenting and perfecting himself before many an adoring crowd. Before arriving in New York, he toured the country in order to understand his American fans better. The puppet has done his homework. Randy himself will tell you that what he’s presenting on stage is an anthropological social experiment and one helluva good time. As always Randy, a philosopher in fabric and flock, is more than right.

Clurman Theatre
Theatre Row
410 W 42nd St
New York, NY 10036
212.239.6200
http://randywritesanovel.com/
$81.25
April 18 – June 9, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

01
May
18

The Metromaniacs: My Review

Metromaniacs 2Words. Words. Words. Beautiful luscious words. Set in rhymes. Framed in metaphors. Hung in allegories. Displayed with glorious grace, slick style, and unending rapturous wit. The rhyme rules here and while some are more forced than others they all manage to fall lovingly on the ear. The plot of Red Bull Theater’s production of The Metromaniacs is madness triumphant. It’s the wackadoodle stuff of classical French farce set to a modern world extreme. Presented as a translaptation, a combination of translation and adaptation, written by the gifted and proven playwright David Ives, the text is from the original obscure 1738 play La Metromanie by Alexis Piron. The script itself is most definitely the central driving force and provides the necessary gunpowder for the fireworks to follow.

On stage at The Duke on 42nd Street theater a decadent spring has sprung in the year 1738 and in the ballroom setting of a grand house in Paris, a play is in the making and madness is about to ensue. Metromania, a mania for poetry, is the driving obsession of the period. Love is in the air, so is artistic creation, familial foibles, and all the players involved are incognito to some degree or another. The exact story is a furiously fast paced layered delight that is yours to discover and savor. The sometimes pleasantly dizzying series of events rests on the shoulders of an extremely capable and stellar assortment of actors and their characters.

Metromaniacs 1Christian Conn is a comedic cyclone as Damis, a young poet that has fallen in love with a mysterious female poet that he only knows in print and is later revealed, unknown to him, to be a man. Mondor, Damis’s valet, as presented by Adam Green is a hilarious foil that tries to bring things back down to earth again and again but just manages to get himself further entrenched in it all. Lucille, a young woman in love with poetry, played with broad Mean Girls sass and vacancy by Amelia Pedlow finds herself looking for love even though it never occurred to her to search for it before this day. Noah Averbach-Katz plays Dorante, the young man in love with Lucille, with zany delight as he attempts to court her as someone very much other than himself.

Lisette, Lucille’s maid, in the hands of Dina Thomas, at times coming dangerously close to stealing the show, is the clever sneaky center of this madcap maze. Francalou, Lucille’s father, who wrote the evening’s entertainment, desperately wants to marry off his daughter and also ends up being Damis’s gender fluid poet, is wonderfully funny and charming as portrayed by theater veteran Adam LeFevre. And Peter Kybart is a literal blast as Baliveau, Damis’s closeminded, rich, grumpy, thespian to be, uncle. The entire ensemble is spectacular and they’re having as much of a good time with this elegant screwball comedy as the audience is and that plusses the fun.

Metromaniacs 3This is a hold on to your hats boys and girls production and under the direction of Michael Kahn it’s a roller coaster ride that leaves you breathless with joy. The singular set by James Noone is gorgeous as are the costumes designed by Murell Horton and the wigs created by Dori Beau Seigneur. The Metromaniacs is a must see show for those that love words, wordplay, farce, fantasy, intelligent and broad slapstick comedy, and lush deliciously presented theatricality. The Metromaniacs is a rare and sumptuous treat you must enjoy while you can.

The Duke on 42nd St
229 W 42nd St
New York NY 10036
646.223.3010 ext.8
www.redbulltheater.com/the-metromaniacs
$75-$95
April 10 – May 26, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.




Edward Medina Author

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