Wicked Clone: My Review

Wicked Clone 1Take equal doses of Transylvanian folklore, Goethe, Faust, Ibsen, Dante, booming Werner Herzog like voice overs, stock footage movie moments projected on a supposed magic mirror, club dance moves, electronic beats, roller blades, circus arts, daddy dom issues, notions of sin and redemption, and overt sexuality. Now toss it all in a blender, hit frappe again and again, and once properly mixed, hurl the resulting concoction all over a black box stage. This will give you an approximation of the gloriously spectacular, misguided avant-garde, multimedia, passion project being served up at the Davenport Theatre.

Let us begin at the beginning of this torrid tale. Wicked Clone is the story of two identical twin sisters born in Transylvania in 1483 to Vlad the Impaler himself. Mihaela and Gabriela are opposite acorns not falling far from the same blood-thirsty tree. Mihaela is the somewhat good girl who questions her existence and is always in search of love. Gabriela is the totally bad girl that always seeks vengeance and is constantly jealous of her sister’s ambitions. Both being undead daddy’s girls they can’t help but do battle with each other.

Mihaela flees from Transylvania to 2018 New York and pulls her fangs out in order to find love and become a human. She then writes a book and mounts a Broadway show based on her life and writings. Twin sister Gabriela also follows Mihaela through space and time to return her sister to her vampiric roots and back under now actually dead daddy’s demonic control. Mihaela falls in love with a human poet who, in the midst of being killed by Gabriela, manages to bite Mihaela which turns her human. That doesn’t stick though, since no plot point lingers in this story, so her fangs start to grow back and soon enough both sisters are at each other’s throats again. If this all sounds like a confused and convoluted mess it’s because that’s exactly what this is.

Wicked Clone 2Wicked Clone is performed, choreographed, scored, designed, and teched by Transylvanian born American artists Mihaela and Gabriela Modorcea. Mihaela wrote the novel, Wicked Clone or How to Deal with the Evil on which her script for the show is based. Both sisters traveled to America and ended up creating Wicked Clone as a production to showcase their many skills and find fame and fortune on the Great White Way. If this all sounds familiar that’s because it is indeed all too familiar. In an extreme case of life imitating art, these multi-talented identical twin sisters have birthed what they call a cinema musical, which they believe is a new genre that projects the audience into an immersive blend of theater and film projection.

According to the program Wicked Clone was directed by God. If true the Creator has much to answer for as far as his, or her, theatrical choices are concerned. The music is the stuff of dance floor fodder, but as a musical there’s not a hummable memorable tune in the entire lot of nineteen original pop-gypsy compositions imbedded in the drama. The sisters Modorcea are not without talent. They can sing. They can dance. They can write pop happy electronic dance music. They also managed to mount what is an ambitious production. Their faith in themselves to create something artistically grand is heroic and an argument can be made here for experimental theatre reminiscent of the Warhol crowd. The shear audaciousness of the thing makes one want the sisters Modorcea to succeed at their attempt to create dark cinema theatre magic, but there are a mountain of obstacles rising against them and many are self-perpetuated.

Davenport Theatre
354 West 45th St
New York, NY 10039
March 8 – May 27, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

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