03
Feb
18

Puffs: My Review

Puffs2An owl has arrived to deliver a message to a young boy. The lucky recipient of this owlgram has been accepted into a little known world renowned school of magic. He is to be taken from his humdrum life and set upon a new course and the magical adventure of his life. The catch is that this is not merry old England and this is not the boy legend in the making Harry Potter. This is New Mexico in the good old US of A and the boy is an awkward, and not that much of a gifted wizard to be, named Wayne. Nonetheless, Wayne is whisked off to England to experience ‘seven increasingly eventful years at a certain school of magic and magic’ just like the infamous Harry.

While Harry does make occasional appearances in this tale this story belongs to Wayne and all his fellow Puffs, the magical house he’s sorted into for his time at the school. This is a mirror world of the Potter books and if you don’t know them you will have some problems catching all the jokes in this very clever, fast paced, hysterically funny farce. While elements of the books play out in the periphery, this version is all about the Puffs and their mutual adventures of just getting through school and dealing with all the mayhem that Harry creates in his wake. The Puffs are endearing misfits but they know it and that always seems to empower them forward through their mutual endeavors.

The ensemble cast is exactly that in every sense of the word. They are frenetic poetry in zany motion and to lose any one of these skillful cartoon treasures would be to collapse this magical school’s house of cards. In total the company of thirteen players portray fifty three characters and features the talents of Langston Belton, Madeleine Bundy, Jessie Cannizzaro, Nick Carrillo, Anna Dart, A.J. Ditty, Julie Ann Earls, James Fouhey, Jake Keefe, Andy Miller, Zac Moon, Eleanor Philips and Stephen Stout.

Puffs1The design work on this production is clever to the max with every department delivering excellence. Madeleine Bundy’s set, costume, and prop designs are at the center of it all. Her set gives the reigning Broadway work of The Play That Goes Wrong a run for its money. Its backstage reverse world look and feel serves as the visual foundation in this frenzied world. Her hodgepodge of costumes is in all actuality a well-organized balance of quick change mastery that fits well within the mania and lets the audience keep track of the many characters and their houses as they fly by.

It’s writer Matt Cox’s book of secrets that drives this glorious insanity. His work reveals a true and genuine love of the parodied Potter source material. He provides not only comedic reverence to the proceedings but also isn’t at all afraid to skewer its revered cannon with right-on-the-mark pokes at its fabled facade. Cox has scripted an intermissonless one hour and forty five minute speeding magical locomotive that makes for a wild and wonderful ride.

One would think that a show and a cast that moves this quickly and delivers this many punch lines per second would be allowed to run amok to achieve those goal. That thinking would be incorrect. There’s a slow and steady hand at the helm of this madness that makes it all work and it belongs to director, Kristin McCarthy Parker. Reigning in all that creative energy and then knowing exactly when to unleash it is no simple task and her skill is to be admired.

Tilted Windmills Theatricals and producers John Arthur Pinckard and David Carpenter are to be commended here as well. They took great steps to protect, package, and promote this gem of a production in such a way that allowed it to be found by its adoring audience. They knew what they had and nurtured it wisely. Puffs began at the Peoples Improv Theater, where it gained its first momentum, before moving to the Elektra Theater where continued critical acclaim brought it to its current home at Stage 5 at New World Stages.

Puffs has broken two New World Stages box office records to date and is well on its way to break others as it repeatedly plays to sold out houses. It is primarily word of mouth support from its loyal and growing fan base that drives this well-deserved success. With Harry Potter and the Cursed Child opening shortly it’s easy to see how Puffs may just become a permanent fixture on the New York theatre scene as scores of fans flood into the city from all over the world to catch two of the hottest wizarding tickets within reach.

New World Stages
Stage 5
340 West 50th Street
New York, NY 10019
http://www.puffstheplay.com/
212.239.6200
$52-$97
Now Playing Through Nov 4, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.


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