Archive for February, 2018

12
Feb
18

The Chekhov Dreams: My Review

Chekhov Dreams 3Sometimes in the world of theatre you run into the seemingly perfect show. Everything appears to be just as it should be. The actors are talented and in some cases truly gifted. The script is appropriately funny, or tragic, or both whichever the case may be. The design facets are successfully executed and presented. The direction is in line with the text and equally in sync with the production. The audience is responding right on cue as expected. Yet in spite of all that there’s something just not right overall. As smooth as everything seems, as hard as everyone is working to nail it, there’s a nagging feeling that there’s something rotten in the state of Minsk. The Chekhov Dreams, currently playing at Theatre Row’s Beckett Theatre, is one such show.

Jeremy is an independently wealthy struggling wanna be author. One evening over lots of wine, and a mutual game of guess the quote by which famous literary figure, Jeremy and his recently ex-girlfriend Kate form a blood oath to reach out and remain together in this life and the afterlife. This of course immediately leads to her death in a car accident. Three years later the still rich and now lost Jeremy is struggling to finish his first book. His opus is loosely based on Hans Christian Anderson’s The Snow Queen which was a favorite story of his since childhood. In the midst of the struggle he begins having regular dreams where Kate comes to visit. She taunts, and teases, and seduces him. Her temptations are too great, and his fear of failure is too overwhelming, so Jeremy makes another pact to kill himself and marry his now dead fiancée. This decision is no easy task to complete as his life proceeds to get more complicated.

Jeremy’s narcissistic hedonist of a brother Eddie keeps trying to cure his doldrums to no avail. Jeremy also wants to finish his book before he departs so he takes an acting class to help him release his creative juices. It’s there that he meets his acting scene partner Chrissy. She comes with her own imposing wants and needs including a love of Jeremy’s least favorite author Anton Chekhov. Of course, the scene their working on is from Chekhov’s The Seagull. It’s not long before the dead fiancée becomes jealous and impatient. She not only keeps up her dream visits she also begins appearing in Jeremy’s apartment while he’s awake causing him much distress and added mayhem. On top of all that Chekhov also begins taking on a featured role in his dreams as mentor, advisor, author, and dramaturge.

Chekhov Dreams 2Dana Watkins as Jeremy has the makings of a good leading man. He pulls off the awkward, dazed and confused romantic, along with the tortured lover and author to be. Elizabeth Inghram as the deceased Kate does very well as mortal girlfriend, seductive spirit, and eventually manipulative evil queen. As Chrissy, the ingenue and Chekhov scene partner, Charlotte Stoiber embodies a hopeful somewhat naive actress in search of true meaning in her work and in matters of the heart.

Christian Ryan as Jeremy’s flawed, heavy drinking, chain smoking lothario of a brother is in fine comic form. His scenes bring a laugh filled breath of fresh air into each scene he appears in. Rik Walter as the legendary director and writer Anton Chekhov is every bit the stately, stern, and imposing dark genius one might expect but he brings with it a sassy comedic edge that is fun to watch.

As already mentioned the cast is a talented lot. While each player plays their part the problem with the ensemble is one of what appears to be nervous energy. No one seems to be able to be still. There’s constant unnecessary movement and in some cases unconscious mirroring of each other’s actions. There’s also that unwavering feeling of trying too hard to please. It’s not always the case. When they connect with themselves, the erratic material, and the house, the ensemble plays very well together but for the most part this is all a hit or miss affair.

In support of the production the design team set themselves some very ambitious goals and for the most part they achieve them. Costume designer Christina Giannini is well represented. Along with the needed every day wear of the characters that inhabit this world she’s able to shine with beautiful period costumes that make the dreams they have so vivid. Lighting designer Diana Duecker and sound designer John McKinney more than ably deliver on setting the mood and the tone for both the real and the surreal proceedings. Scenic designer Scott Aronow had the larger challenge of having to wrangle many settings into one multi-dimensional set. His solution and execution does work nicely even though it was a bit wobbly at times. An extra support here, an additional nail there, and this minor quibble is eliminated.

Chekhov Dreams 1All is not lost because there’s a gem of a show to be mined her but the excavation would have to go deep. Writer John McKinney and director Leslie Kincaid Burby could and should go back to the drawing boards on this one and uncover all that this script truly has to offer. There are warnings already built into this current version. In his dreamy appearances Chekhov warns of not using too many devices to advance the plot and yet he himself becomes one. He also warns that not everything is to be explained and yet that happens often in this production. Particularly in the fact that the play goes one scene too long for the sake of trying to wrap everything up with a neat bow. In fact, the entire show runs a bit too long. If the next incarnation were trimmed down to a tight intermissonless ninety minutes, as opposed to the overstuffed feeling of the current with an intermission two hour plus version, the entire company might find themselves with a dream worth having again.

Theatre Row
Beckett Theatre
410 West 42nd Street
www.chekhovdreams.com
(212) 239-6200
$44.25

Now Playing Through Feb 17, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.

03
Feb
18

Puffs: My Review

Puffs2An owl has arrived to deliver a message to a young boy. The lucky recipient of this owlgram has been accepted into a little known world renowned school of magic. He is to be taken from his humdrum life and set upon a new course and the magical adventure of his life. The catch is that this is not merry old England and this is not the boy legend in the making Harry Potter. This is New Mexico in the good old US of A and the boy is an awkward, and not that much of a gifted wizard to be, named Wayne. Nonetheless, Wayne is whisked off to England to experience ‘seven increasingly eventful years at a certain school of magic and magic’ just like the infamous Harry.

While Harry does make occasional appearances in this tale this story belongs to Wayne and all his fellow Puffs, the magical house he’s sorted into for his time at the school. This is a mirror world of the Potter books and if you don’t know them you will have some problems catching all the jokes in this very clever, fast paced, hysterically funny farce. While elements of the books play out in the periphery, this version is all about the Puffs and their mutual adventures of just getting through school and dealing with all the mayhem that Harry creates in his wake. The Puffs are endearing misfits but they know it and that always seems to empower them forward through their mutual endeavors.

The ensemble cast is exactly that in every sense of the word. They are frenetic poetry in zany motion and to lose any one of these skillful cartoon treasures would be to collapse this magical school’s house of cards. In total the company of thirteen players portray fifty three characters and features the talents of Langston Belton, Madeleine Bundy, Jessie Cannizzaro, Nick Carrillo, Anna Dart, A.J. Ditty, Julie Ann Earls, James Fouhey, Jake Keefe, Andy Miller, Zac Moon, Eleanor Philips and Stephen Stout.

Puffs1The design work on this production is clever to the max with every department delivering excellence. Madeleine Bundy’s set, costume, and prop designs are at the center of it all. Her set gives the reigning Broadway work of The Play That Goes Wrong a run for its money. Its backstage reverse world look and feel serves as the visual foundation in this frenzied world. Her hodgepodge of costumes is in all actuality a well-organized balance of quick change mastery that fits well within the mania and lets the audience keep track of the many characters and their houses as they fly by.

It’s writer Matt Cox’s book of secrets that drives this glorious insanity. His work reveals a true and genuine love of the parodied Potter source material. He provides not only comedic reverence to the proceedings but also isn’t at all afraid to skewer its revered cannon with right-on-the-mark pokes at its fabled facade. Cox has scripted an intermissonless one hour and forty five minute speeding magical locomotive that makes for a wild and wonderful ride.

One would think that a show and a cast that moves this quickly and delivers this many punch lines per second would be allowed to run amok to achieve those goal. That thinking would be incorrect. There’s a slow and steady hand at the helm of this madness that makes it all work and it belongs to director, Kristin McCarthy Parker. Reigning in all that creative energy and then knowing exactly when to unleash it is no simple task and her skill is to be admired.

Tilted Windmills Theatricals and producers John Arthur Pinckard and David Carpenter are to be commended here as well. They took great steps to protect, package, and promote this gem of a production in such a way that allowed it to be found by its adoring audience. They knew what they had and nurtured it wisely. Puffs began at the Peoples Improv Theater, where it gained its first momentum, before moving to the Elektra Theater where continued critical acclaim brought it to its current home at Stage 5 at New World Stages.

Puffs has broken two New World Stages box office records to date and is well on its way to break others as it repeatedly plays to sold out houses. It is primarily word of mouth support from its loyal and growing fan base that drives this well-deserved success. With Harry Potter and the Cursed Child opening shortly it’s easy to see how Puffs may just become a permanent fixture on the New York theatre scene as scores of fans flood into the city from all over the world to catch two of the hottest wizarding tickets within reach.

New World Stages
Stage 5
340 West 50th Street
New York, NY 10019
http://www.puffstheplay.com/
212.239.6200
$52-$97
Now Playing Through Nov 4, 2018

From an original post on TheaterScene.

Edward MedinaEdward Medina is an Amazon KDP bestselling author of high fantasy, dark horror, and epic adventure books, short stories, and poems. To date his combined works have earned over one hundred and fifty Amazon and Goodreads five star reviews from readers, reviewers, bloggers, teachers and fellow authors.

He is a native New Yorker who over time has built a significant and multifaceted career. He has been a producer, director, and writer for both digital media and the New York Off and Off – Off Broadway stages. He also had the honor and the privilege to work for the late great Jim Henson creator of the Muppets.

Edward founded a successful independent production company dedicated to family entertainment and children’s causes. He also established a multimedia company in order to assist nonprofits achieve their own cause related goals. He went on to become a theme park designer. For fun he became a steam train engineer and has been since childhood a sometime magician.

Currently Edward is a critic and feature entertainment columnist covering Broadway, Off Broadway, Off-Off Broadway, Clubs and Cabarets for TheaterScene and The Fire Island Sun. He also maintains his love of theatrical production by continuing to create new works for both stage and screen. And his dream of building a fully realized world of fantasy on tropical shores is still very much alive and well.

If you’d like more detailed information on Edward’s work, visit his LinkedIn profile or his website. You can also explore his books, follow him on Twitter, like his page on Facebook, and subscribe to his blog on WordPress.

Edward Medina is proud to be a member of the American Theatre Critics Association, the Dramatists Guild, the Society of Children’s Book Writers & Illustrators, and the Horror Writers Association.




Edward Medina Author

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